Maya in Physics in a synthesis of modern physics and the Advaita Vedanta with an integral thesis emerging out of the confluence. In the exposition of the Advaita Vedanta its philosophy has been reinterpreted in the light of modern science. In this process the vedanta has been demystified and physics dematerialized Instead of being confined to inter school parallelism only this book tries ot present a total vision of the entire cosmos and its dependence on Brahman the transcendental being which is the non dual reality Maya the power of Brahman or the Primordial Unmanifest Nature has been assigned a metaphysical status without violating the traditionality of the Vedanta.

Part I of the book deals with classical Newtonian physics, thermodynamics, relativity, quantum physics, particle physics, astrophysics, and cosmology. Part II is a presentation of the Advaita Vedanta, in a modern format. Part III is a confluence of the Advaita Vedanta and modern science (especially physics). An integral thesis emerges out of the confluence. There has been an amalgam of spirituality and science. The whole approach is holistic, synthetic, and integral.

About the Author:

Dr. Narasingha Charan Panda, Reader in Sanskrit, Punjab University, Vishveshvaranand Vishva Bandhu Institute of Sanskrit and Indological Studies, Hoshiarpur, is wellknown among the scholars of Indology as a sincere and devoted researcher, who combines in him a comprehensive understanding of scholarly issues, impartial judgement and an exemplary clarity of expression. After graduating from Utkal University and Post-graduation and M.Phil degrees from Kurukshetra University, he obtained Ph.D. degree in Vedic studies from Punjab University, Chandigarh and thus specialized himself in different Indological branches, like the Vedic Studies, Buddhism and Kashmir Saivism. In due course of time, he has qualified himself with Acharya in Buddhism, Acharya in Darsana Sastra, C.C. in German Language and Ayurveda Ratna. Dr. Panda is the joint editor of the ‘Kalatattvakosa’ (Vol. VI) and the ‘Glossary of Key Art Terms’ of Indira Gandhi National Centre for the Arts. As an ardent student and a successful researcher of Indology he has contributed numerous learned research papers and edited some valuable works to his credit.