Hinduism

  • The Religion of the Veda: Die Religion des Veda

    The Religion of the Veda: Die Religion des Veda

    The Vedic Literature, which is the oldest product of the Aryan mind and is held in the highest esteem and is regarded as the most sacred by Hindus, presents a panorama of the life of the ancient population of India in all of its facets. Vedic Literature is the oldest product of the Aryan mind and is held in the highest esteem. Herman Oldenberg was the professor who pioneered the first critical examination of frightening literature in the last several centuries, and European academics, mostly Germans, were the ones who conducted the research. His masterpiece, titled Die Religion des Vedas, was published for the first time in 1894, and a revised version was released in 1916. In his thorough and in-depth research on the Vedic religion, he took use of linguistic approaches, as well as those from the fields of ethnology and folklore. This work has had a significant influence on subsequent Vedic studies and has an enduring interest to the student of the Veda, as is amply evident from the fact that even after nearly a century has passed since its first publication, it continues to attract the attention of Vedic researchers and is very frequently sought for guidance and consultation by them, and here is the first ever English translation of these four classic texts.

    The book is divided into four chapters, each of which is preceded by an introduction that provides a comprehensive discussion of the source material, which includes the Vedas, Brahmanas, and sutra. The first chapter discusses the gods and demons of the Vedic tradition in general, while the second chapter delves into the specific gods of the Vedic tradition, including Agni, Indra, Vruna Mitra, and others, as well as the bad demons, the beginning of the universe, and the divine and moral realms. The third chapter discusses in depth the religion of sacrifice, which includes topics such as magic observances, festivals, prayer, and priests. The fourth chapter discusses animism, the dead, soul heaven, and ell, as well as ghosts, fathers, and burial ceremonies.

    Author

    HERMANN OLDENBERG

    995.00
  • Prolegomena on Metre and Textual History of the Rgveda: Metrische und textgeschichtliche Prolegomena, Berlin, 1888

    Prolegomena on Metre and Textual History of the Rgveda: Metrische und textgeschichtliche Prolegomena, Berlin, 1888

    Oldenberg made a distinction between the “original text” of the Rgveda, which is the form in which the rsis composed and recited their hymns, and the “traditional text,” which has been handed down to us in a fixed form by the oral tradition. The “original text” of the Rgveda is the form in which the rsis composed and recited their hymns. Oldenberg conducted a comprehensive analysis of all parts of the traditional text in order to give the original text to the academic community in the form and arrangement that he had uncovered. This was done so that other researchers may benefit from his findings. Oldenberg always intended for the contents that are now being published in this book to serve as a Preface to his planned edition of the Rgveda. This volume is now being published. They are the product of Oldenberg’s in-depth research on the Vedic metre, the principles that underlie the arrangement of the hymns in the Rgveda Samhita, the variations found in the text of the mantras as found in the Rgveda and the later Samhitas and the Brahmanas, orthoepic diaskeuasis, and the two Sakhas of the Rgveda: Sakala and Baskala. Later on, Oldenberg decided against releasing his ‘critical edition’ of the Rgveda as he had originally intended.

    Author

    HERMANN OLDENBERG,

    TRANSLATED BY: V.G. PARANJAPE & M.A. MEHENDALE

    895.00
  • Vedic Texts: A Revision: Professor C.G. Kashikar Felicitation Volume

    Vedic Texts: A Revision: Professor C.G. Kashikar Felicitation Volume

    The compilation of critical editions of Vedic texts, which was being done at the time by a number of different Vedic Scholars in India, resulted in the publication of Vedic Texts: A Revision. On the occasion of Prof. C.G. Kashikar’s eightieth birth anniversary, this volume, which consists of the specimens of the forthcoming critical editions of Vedic Texts, is presented to him as a tribute of respectful gratitude for his profound scholarship in the field of Vedic ritualistic studies. The specimens are presented in this volume as a tribute of respectful gratitude. This volume contains excerpts from eight different Vedic books, including the Maitrayani Samhita, Gopatha Brahmana, Aitareya Aranyaka, Baudhayana Srautasutra, and Manava Srautasutra. The academics who have been tasked with the revision of these eight works are already relatively acquainted with the individual works, as well as conversant with the appropriate method of operation. In addition, this volume has a foreword written by Professor R.N. Dandekar, a biographical sketch, biodata, and a bibliography of Professor C.G. Kashikar’s publications and a selection of his papers.

    Author

    C. G. Kashikar

    500.00
  • The Krsna Cycle in the Puranas: Themes and Motifs in a Heroic Saga

    The Krsna Cycle in the Puranas: Themes and Motifs in a Heroic Saga

    Krsna is often regarded as one of the most beloved personalities in Indian literature and religion. The accounts of his life and the actions he performed continue to play an important role in the literary traditions of India right up to the present day. The primary ideas and recurrent images that can be seen throughout the Krsna mythology up to the 10th century are the focus of this book. In the first chapter, the antecedents of the figure of Krsna that may be found in the Vedas are investigated, as are some of the viewpoints that suggest that Krsna can be found in the hymns of the Vedas. An exhaustive survey is made of all of the archaeological and literary evidences, along with their interpretations and discussions by modern scholars, and the second chapter deals with the first historical evidence on Krsna up to the beginning of the Christian Era. This chapter covers the time period from the beginning of the Christian Era to the beginning of the Christian Era. In the third and fourth chapters, an examination of the motifs and themes found in the Krsna saga is presented using a folk-comparative methodology. Particular focus is placed on the parallels between the Krsna saga and the mythology surrounding Hercules. The last chapter provides an overview of the Krsna tales as they were shown in iconography up to the 10th century. In addition to this, there is a collection of images that depict the majority of the iconographical evidence that has been addressed; several of these photographs are being released for the first first time here.

    Author

    DR. BENJAMIN PRECIADO-SOLIS

    1,000.00
  • Concept of Rudra-Siva Through the Ages

    Concept of Rudra-Siva Through the Ages

    The current book sheds fresh information on the progressive growth of the notion of Rudra-Siva in his animal, phallic, and human forms from the days of the Harappa Civilization. This development can be traced back to when the Harappa Civilization existed. It investigates how Siva, the composite Aryan-non-Aryan Divinity, was not only admitted but was ultimately crowned with an exalted position in the Brahmanical pantheon; how the bull, which was once identified with the deity, was regulated to the position of a vahana; how phallism was related to Saivism; and also how Siva, in his different forms, was represented in early Indian Art and the Art of Further India. Because of the breadth and depth of the author’s research, he has been able to fill an important need in the field, and his approach to the topic as a whole is unmatched. A comprehensive bibliography is included in this rigorous research on Siva that was conducted.

    Author

    MAHADEV CHAKRAVARTI

    995.00
  • Classical Hindu Mythology: A Reader in the Sanskrit Puranas

    Classical Hindu Mythology: A Reader in the Sanskrit Puranas

    The Mahapuranas are the texts that best represent the conventional wisdom of Hindu mythology. This anthology includes recent translations of these stories, of which only a handful have ever been made accessible in English previously, and as a result, it makes available a substantial new section of Hindu mythology.

    There are six different chapters in all in this book. Myths are told in “Origins” that are associated with creation, time, and space. The book “Seers, Kings, and Supernaturals” tells stories of rivers, trees, animals, demons, and mankind, most notably heroes and wise men. Krsna, Visnu, and Siva each have their own chapter to devote to debunking the many myths that circulate about them. The tales of the wives and lovers of the gods are told in the chapter titled “The Goddess.” The chapter also discusses Kali, the fierce goddess of conflict.

    In the introductions that they have written, the editors have provided not only a historical context in which to analyse Hindu mythology but also a comprehensive examination of the sources upon which it is based. The several names that were originally given. The editors have included a comprehensive lexicon in order to make these names more understandable.

    Author

    Cornelia Dimmitt

    995.00
  • Isvarasamhita (Set of 5 Vols.)

    Isvarasamhita (Set of 5 Vols.)

    Both Vaikhanasa and Pancaratra are very significant schools of ritual and philosophy that emerged as a direct result of Visnuism’s influence. The Isvarasamhita is an essential piece of literature for followers of the Pancaratra school of Visnuism.

    Pancaratra is characterised by a more open and permissive approach, in contrast to Vaikhanasa, which has a character that is relatively archaic and relies more heavily on the Vedic tradition for its repertoire of mantras that are used in religious rites and ceremonies. Pancaratra’s repertoire of mantras can be found here. It has a text tradition that dates back around two thousand years, which has also been the primary basis for the Visistadvaita philosophy that was developed by Ramanuja (between the 11th and 12th centuries). Worship is performed in line with the instructions provided in one of the significant Pancaratra Samhitas at the vast majority of Vaisnava temples located in southern India, particularly in the state of Tamilnadu.

    At the Narayanasvami temple in Melkote, a strict adherence to the Isvarasamhita can be seen throughout the daily puja ritual as well as during the many other types of religious celebrations that take place there. This is because the Isvarasamhita is an essential scripture of the Pancaratra School. Given that it is mentioned in Shri Yamunacarya’s Agama Pramanya, we may confidently place it somewhere between the 8th and 9th centuries at the very least. It is said to be a simpler and shorter version of the older sattvatasamhita of this school, which is the earliest available work of Pancaratra and is regarded as one of three ratnas, (Jewels), along with the Pauskara- and Jaya Samhitas. In other words, it is the simplest and shortest version of the older sattvatasamhita of this school. The Isvarasamhita contains a description of the rites, rituals, and ceremonies that take place (or ought to take place) at a Vaisnava temple. This description is spread out across 25 lengthy Adhyayas.

    Palm leaf Because of its reputation for genuineness, the Narayanasvami temple in Melkote was the primary source for the Isvarasamhita manuscripts that were acquired. We have included attached to the text the gloss that was written by Alasimha Bhatta in the early 19th century. This gloss will be of assistance in understanding some terms that are difficult to understand or are sectarian in nature. The current researchers who are working on the philosophy, ritual, and iconography of Visnuism will find the English translation helpful, thus it has been supplied on the page facing them (to the right).

    It should come as no surprise that the study of art cannot proceed without first acquiring a sufficient familiarity with ritual.

    Author

    V. Varadachari

    6,000.00
  • The Hymns of Sankara

    The Hymns of Sankara

    In conjunction with Sri Sankara Jayanti festivities at Sankara Vihara, Ayanavaram, Madras, every year it has been a regular habit to put out some modest publication based on the works of the Great Master as also works about him under the term ‘Jayanti Series’. The current work falls within such category.

    Besides composing his well-known commentaries and Advaita manuals, Adi Sankara penned a great number of powerful hymns filled with intense devotion. Were this reality well known, the complaint brought against Sankara’s Advaita, viz., that there is no space for bhakti in the path of jnana would not have been made.

    This book contains several of his hymns. At the conclusion Totakacarya’s well-known song to Sankara is added.

    The material is offered in Devanagari script with transliteration, English translation and commentary.

    Author

    Dr. T.M.P. Mahadevan

    495.00
  • Dharmasutra Parallels: Containing the Dharmasutras of Apastamba, Gautama, Baudhayana and Vasistha

    Dharmasutra Parallels: Containing the Dharmasutras of Apastamba, Gautama, Baudhayana and Vasistha

    The Dharmasutra Parallels provide a synoptic presentation of the passages that may be found in the four Dharmasutras of Apastamba. The teachings of Gautama, Baudhayana, and Vasistha all focus on the same concepts. The Dharmasutras are the earliest complete legal code from ancient India that has survived to the current day. An in-depth examination of these early legal treatises is required if we are to have any hope of comprehending not only the legal history of the three or four centuries prior to the common era, but also the cultural and religious history of that time period. This was the time when many of the characteristics that are typically associated with Indian civilization began to take shape during that era.

    Author

    Patrick Olivelle

     

    1,495.00
  • The Pravargya Brahmana of the Taittiriya Aranyaka: An Ancient Commentary on the Pravargya Ritual

    The Pravargya Brahmana of the Taittiriya Aranyaka: An Ancient Commentary on the Pravargya Ritual

    A historical commentary on the Pravargya ceremony can be found in Prapathaka 5, which is part of the Taittiriya Aranyaka in the Andhra recension. This commentary, known as the Pravargya Brahmana, is presented here in a translation that also includes annotations. An investigation of the Pravargya ritual is included in the Introduction. This ceremony is referred to as “One of the few rites that have been specifically alluded to in the Rgveda (typically under the term “Gharma”).” The abstract and spiritual character of what is most likely the primary purpose of the ritual – the participants should acquire the lustre of the sun – the straightforward means by which it can be performed, and the manner in which the main implement, the pot which is heated to a red-hot temperature, is worshipped, give it a special place among the vast assortment of Vedic rites. In addition to the translation, the original Sanskrit text of the Pravargya Brahmana of the Taittiriyas has also been provided here. The present work was prepared under the direction of Professor Dr. H.W. Bodewitz (Utrecht), and it is an expansion of an essay that the author wrote as part of the author’s partial fulfilment of the requirement for the degree of “doctorandus” at the University of Utrecht, 1987. This work was prepared under the guidance of Professor Dr. H.W. Bodewitz (Utrecht).

    Author

    Jan E.M. Houben

    595.00
  • Vedic Hermeneutics

    Vedic Hermeneutics

    This book asserts that the Veda is what makes known knowledge inaccessible to empirical means of knowledge and what does not contradict what is known through history, science, reason, and common sense. Additionally, it states that the Veda is what does not contradict what is known through common sense. Only information that is relevant to Dharma and Brahman is included in its content. It is possible to correctly comprehend it by using the concepts that have been outlined by the Nirukta and the two Mimamsas.

    What the most influential tradition recognises as the Veda is, in point of fact, the Veda. A wise person once remarked, “The meaning of its earlier section is lighted by the smrtis, and the meaning of its latter portion is lit by the itihasa-puranas.” Understanding its significance requires, among other things, familiarity with the bhasyas written by Madhva, Sayana, and Atmananda. This study makes an effort to demonstrate that this is the case. Both the assertion of the oneness of Being and the awareness of that unity may be found in the Rgveda. The Yajurveda imparts knowledge to us about the deed that is superior. Chanting and meditation on what the first Veda praises or depicts is at the heart of the Samaveda. The Atharvaveda proposes that being and man are quite similar to one another, if not identical.

    450.00
  • Madhyanindenkramapath (Pratham Bhag)

    Madhyanindenkramapath (Pratham Bhag)

    A Brief Synopsis of the Book Madhyanindenkramapath (Pratham Bhag) “Blossoms of Friendship depicts each one of Vimala Thakar’s speeches as a delectable morsel, so preserving the ageless quality of Thakar’s words. The fifth chapter, “The Silence of Meditation,” is my favourite because it so eloquently emphasises the need of spiritual practise in modern society, even going so far as to call it a necessity.”

    About the Author(s)

    Yudhishthir Mimansak

    1,245.00
  • Latyayana Srauta Sutra (3 Vols.)

    Latyayana Srauta Sutra (3 Vols.)

    The Srauta Sutras are an essential part of the larger body of literature known as the Sutras. They are known for distilling the substance of the Vedic scriptures known as the Samhitas and the Brahmanas into a condensed form, which helps to reinforce India’s long-standing custom of offering sacrifices. The Yajurveda and the Samaveda, as well as the Rgveda, which is known to have developed a variety of recensions with differences in utterance and practise, are also important to the sacrificial tradition in India, which is widely known to be based primarily on the Rgveda, which is the oldest book that was written by humans.

    2,200.00
  • Poems to Siva: The Hymns of the Tamil Saints

    Poems to Siva: The Hymns of the Tamil Saints

    The Tevaram hymns are the fundamental text of Tamil Saivism, which was one of the earliest prominent large-scale devotional groups within Hinduism. These lyrics were written by three poet saints during the sixth and eighth centuries A.D. Tevaram hymns were composed within this time period. These hymns provide vivid and moving portraits of the images, myths, rites, and adoration of Siva, and they continue to be loved and sung by the millions of followers of the Tamil Saiva tradition. Indira Peterson eloquently renders into English a substantial portion of these hymns, and she does so in a way that makes them accessible to English readers. This anthology is a valuable resource for the study of South Indian popular religion as a result of her introduction and annotations, which provide light on the literary, theological, and cultural settings in which the work was produced. Indira Peterson identifies the Tevaram as a pivotal work in the history of Tamil culture. The Tevaram is both a synthesis of pan-Indian civilisation and Tamil civilization, as well as a uniquely Tamil expression of the love of song, holy landscape, and ceremonial religion. Her examination of this work leans heavily on her ground-breaking research into the performance of the hymns and its relationship to the art and ritual of the South Indian temple.

    Review(s)

    “Peterson’s graceful and clear style makes for a smooth reading of this arcane study, which is supplied with voluminous footnotes, a glossary and an indexÄ . Peterson has broken new ground in introducing to her readers the first large-scale devotional son

    Author

    Indira Viswanathan Peterson

    1,000.00
  • Mantra

    Mantra

    The encounter with the holy in India is a synthesis of three distinct aspects: performance, music, and visual presentation. One of three works that make up a trilogy that also includes Diana Eck’s Darsan: An introduction to the use of sound, or mantra, in the practise of Indian religion, Seeing the Divine in India gives an overview of this aspect of Indian spirituality. The use of mantra, which may take the form of prayers, rituals, and chants, is ingrained in the everyday practise of Indian religion, whether it is carried out at a temple or at home. This book explores the ability of mantra to bring about a shift in one’s state of awareness. It incorporates allusions to Buddhist, Hindu, Sikh, and Muslim as well as Sufi and Sufi traditions as it investigates the use and theory of mantra throughout a number of different religious systems, such as the Patanjali sutras and tantra. This updated version includes additional chapters on the use of holy sound among groups of Hindus and Sikhs who have migrated to North America, as well as on the practise of yoga and mantra in North America by people who are not of Indian descent.

    245.00

Main Menu