Art, Architecture, Antiquities

Sthapatya Ved-Vastu Sastra

Sthapatya Veda embraces the concept of the holistic origin of the universe. It expounds the rinciples involved in the areas of Vastushastra (architecture and planning), Shilpashastra (sculpture and iconography), Chitrakala (painting in all branches). It envelops within it, the knowledge of Jyotis, Ayur-Veda and Gandharva Veda etc. and tenets of Samudhrika Shastra and other branches of Vedic knowledge.

The Mystery of Art

The Mystery of Art lets the forms of art tell their own tale. Instead of analyzing the art expressions this narrative work invites the reader to re-discover the functions of art. The observation of the art-scenes starts with the present and winds its way backward through time and history. In the course of this journey the different art-expressions reveal themselves in a novel light.

About the Author(s)

D K Chandra

Vastu: Astrology and Architecture: (Papers presented at the First All India Symposium on Vastu, bangalore, held on June 3-4, 1995)

Vastu Sastra an important limb of Jyotisa or astrology is an ancient science and study of architecture and engineering.

The present volume is an outcome of a symposium on Vastu. One of the goals of the symposium was to revive the lost glory of Vastu and show its relevance to modern times. The book covers different aspects of construction from planning to execution. It underline the role of Jyotisa astrology in Vastu principles.

The book will stimulate greater interest in ancient Vastu principles amongst modern architects and enginers and present them a new perspective which will raise their creativity to new untouched heights.

The book has been divided into three broad sections covering different aspects of Vastu Silpa-I. Vastu and its Relevance to Modern Times; II. Vastu and Jyotisa; and III. Vastu and Temple Architecture comprising thirty-three articles in all. Their contributors represent a range of viewpoints on Vastu principles. All write with intelligence and insight keeping in view its relevance with modern times needs of architecture and engineering.

Vastu Science For 21st Century: To Enjoy the Gift of Nature

Vastu Shastra is not merely an art but a definite science in itself. This book has made an excellent effort to establish this fact. The book attempts to highlight the principles of Vastu science and its application in designing of built enviroment to enhance the quality of life. This science

is still relevant and effective in the modern life changing styles of Architecture with universal application of its principles. The author has tried to justify that Vastu principles are much in need in the 21st century in view of rapid advancements man is making in other fields without compensating on ecology front, which forms the basis of Vastu. In the end an attempt has been made to give a compound solution to the problem of Vastu-based planning.

Vastu: Astrology and Architecture: (Papers presented at the First All India Symposium on Vastu, bangalore, held on June 3-4, 1995)

Vastu Sastra an important limb of Jyotisa or astrology is an ancient science and study of architecture and engineering.

The present volume is an outcome of a symposium on Vastu. One of the goals of the symposium was to revive the lost glory of Vastu and show its relevance to modern times. The book covers different aspects of construction from planning to execution. It underline the role of Jyotisa astrology in Vastu principles.

The book will stimulate greater interest in ancient Vastu principles amongst modern architects and enginers and present them a new perspective which will raise their creativity to new untouched heights.

The book has been divided into three broad sections covering different aspects of Vastu Silpa-I. Vastu and its Relevance to Modern Times; II. Vastu and Jyotisa; and III. Vastu and Temple Architecture comprising thirty-three articles in all. Their contributors represent a range of viewpoints on Vastu principles. All write with intelligence and insight keeping in view its relevance with modern times needs of architecture and engineering.

Evolution of Stupas in Burma: Pagan Period: 11th to 13th Centuries A.D.)

This work is the outcome of painstaking research on the evolution of stupas in Burma, Pagan Period, 11th to 13th centuries a.d. Burma known as the land of pagodas is nowhere so rich in the number of pagodas as in Pagan. The stupendous vastness of the ruins reminiscent of the glory that was of Pagan

in its heyday inspired this study. The evolution traced back to the beginning of the stupa structure in India, deals with the various architectural phases (duly illustrated) it passed through ending with the final stage in the Rhwedagum Pagoda in Rangoon (Burma). Apart from the material side of the study, there is the need of looking into the aesthetic and spiritual side of the evolution. That religious architecture is a barometer of the material prosperity and social outlook of the people,

besides being the handmaid of the spiritual aspirations of the devotees, is amply discernible in this study.

The value of the art survey in this work is further enhanced by the inclusion of over 138 photographs. Moreover, besides the magnificent Pagan art, it gives a comparative view of the religious architectual development in the Asian countries contemporaneous with the Pagan Period.

Monolithic Jinas: The Iconography of the Jain Temples of Ellora

Monolithic Jinas: The Iconography of the Jain Temples of Ellora

About the Author(s)

CARMEL BERKSON

Indian Sculpture: Ancient, Classical and Mediaeval

Anyone with an understanding of art in general and a knowledge, however slight, of Indian things, will, on being shown a work of Indian sculpture, unfailingly label it Indian. Differences in age and origin, however clearly marked to the discerning eye, when pointed out to the outsider, will be apprehended only with more or less difficulty. There is something so strong, and at the same time unique, in any Indian work of art that its ‘Indianness’ is felt first of all, and what it is, is seen only on second thought.

How this Indianness is expressed in terms of relation between line, surface, volume and other elements of visulisation is dealt with in this book. There are permanent qualities throughout the fabric of Indian sculpture which are discussed in detail. These essential qualities, all inter-related and inseparable, contain within their compass the life of Indian plastic art.

The book surveys the structure of Indian sculpture in its relevant aspects. The underlying and essential qualities are viewed in their permanency throughout the special conditions that the single monuments imply. Their outward connections, geographical and chronological, are seen to resolve themselves into ethical problems and those of the artistic process itself.

While stylistical investigations are the basis of this book, Indian sculpture is dealt with as conditioned by the Indian craftsman. His consciousness makes him known to himself as a part of nature and his work is the form of this ‘naturalism’. Its degree and aspects vary according to the levels of his consciousness.

Silparatnakosa of Sthapaka Niranjana Mahapatra: A Glossary of Orissan Temple Architecture

The Silparatnakosa is a 17th century Orissan text composed by Sthapaka Niranjana Mahapatra describing all the parts of the temple types of Orissa such as the Manjusri and Khakara. It also contains a section on sculpture on image-making (Pratimalaksana). This text though much later than the temples described reflects the still living tradition and it contributes much to clarify the terminology of Orissan temple architecture. The text has been edited from three palmleaf MSS and translated with numerous illustrations.