Hinduism and Its Sources

Mantra

The encounter with the holy in India is a synthesis of three distinct aspects: performance, music, and visual presentation. One of three works that make up a trilogy that also includes Diana Eck’s Darsan: An introduction to the use of sound, or mantra, in the practise of Indian religion, Seeing the Divine in India gives an overview of this aspect of Indian spirituality. The use of mantra, which may take the form of prayers, rituals, and chants, is ingrained in the everyday practise of Indian religion, whether it is carried out at a temple or at home. This book explores the ability of mantra to bring about a shift in one’s state of awareness. It incorporates allusions to Buddhist, Hindu, Sikh, and Muslim as well as Sufi and Sufi traditions as it investigates the use and theory of mantra throughout a number of different religious systems, such as the Patanjali sutras and tantra. This updated version includes additional chapters on the use of holy sound among groups of Hindus and Sikhs who have migrated to North America, as well as on the practise of yoga and mantra in North America by people who are not of Indian descent.

The Upanayana: The Hindu Ceremonies of the Sacred Thread

It appears from ManuÍs institutes that they are meant as much for the householder in the

second order of life_garhasthya_as for the student. The laws for the brahmanas are severer and they are expected to subject themselves to harder physical and mental disciplines, forsaking all attachment of their organs to sensual pleasures. A brahmana student must keep them under complete

control and bear in mind that desire is never extinguished by the enjoyment of desired objects; it only grows stronger like a fire fed with clarified butter.

But all this appears to have vanished. It is unfortunate that many brahmanas, starkly ignorant

of the Vedic rcas and scriptural teachings, are often called upon to perform the ceremonies. There is substance in their contention that since the times have changed, the ceremonial laws too must be thoroughly revised and modified to bring them in conformity with the present-day ethos. They also argue that, as the mantras are in Sanskrit, very few people are able to chant them with complete understanding of their inherent meaning and importance. It is to meet their demand for a simple text with explanatory instructions that this book has been written. Its readers can be scholarly priests or non-scholarly householders or both. To some this may sound a profanation of the ceremonial laws, but the intention is pious and therefore this attempt to democratize and

expound the esoteric is forgivable.

Upanayana is one of the sixteen samskaras or purificatory rites in which a boy is invested with the sacred thread and thus endowedwith second or spiritual birth and qualified to learn the Veda by heart. In this ceremony the boy goes to an Acarya well-versed in the Vedas with a view to be initiated into Vedic studies or a Guru draws a boy towards himself and initiates him into one of the three twice-born classes. From the day the initiation ceremony takes place the young celibate commits himself to a life of austerity and abstinence; he chooses to lead a life rigorously disciplined by vows and disciplinary rules.

Maha Calisa Samgraha: An Anthology of Calisas and Aratis forming part of the Hindu

A Calisa is a 40-verse song dedicated to the many manifestations of Visnu and other powerful deities, such as the goddesses. It’s obvious that these are songs of devotion. introduction and notes to a significant source of reference on Hinduism. Maha Calisa Samgraha: An Anthology of Calisas and Aratis forming part of the Hindu

Author

Atma Ram Sharma

Rigvedasukta Vikas

Rigvedasukta Vikas it focuses emphasis on the social importance of this well-known Hindu text, the current study offers a fresh viewpoint on the Bhagavad-Gita, which is backed by research that was carried out in the past. The first section of this book offers a profound investigation of the ways in which reinterpretations of the Gita played a key part in the social history of India throughout the nineteenth and twentieth centuries. The illustrative material is comprised of five case studies pertaining to the following individuals: Raja Rammohun Roy, Swami Vivekananda, Bal Gangadhar Tilak, Aurobindo Ghose, and Mahatma Gandhi. In Part II, an explanation is given of how the social applications of the Gita are related with its most essential message for the present day, which is known as Loksamgraha and translates to “the good of society.” A contemporary meaning of the lokasamgraha-approach is the inculcation of societal ideals and a feeling of social duty in each person. Lokasamgraha is a Sanskrit phrase that appears in the Gita but not in the Upanishads.

About

H.R. Divakar

Ramayana At A Glance

The world is the stage on which the Lord played the part of Rama as the ideal son, brother, husband, step-son, and king. The story of Rama and Sita is verily the story of humanity. Sita, Rama’s devoted consort, enacted the role of the dutiful, chaste wife who cared for nothing but her beloved Rama. Lakshmana was the perfect brother, and Bharata and Shatrughna were exemplary in their devotion to their step-brother, Rama.

The next main character, Hanuman, is the embodiment of a surrendered devotee the pinnacle of Bhakti Yoga. The ten-headed Ravana, who plays the antagonistic role, symbolizes our ten senses (5 senses of knowledge and 5 senses of action). During the war, Rama beheads Ravana, which is characteristic of a yogi conquering the senses.

The characters in the Ramayana relate to our own human drama. The Ramayana teaches us a way of life. It shows how to have pure love among family members and toward society and gives us a

method to control the ten senses and the mind for inner peace and spiritual bliss.

Singing the LordÍs name on the gross plane can bring us to the transcendental level where sound manifests as pure energy. The name and form disintegrate in Pure Consciousness and ultimate peace is experienced. Repetition of the Lord’s name in the form of japa or kirtan will bring the transcendental, blissful experience attained by the great devotees and saints like Bhakta Mira

Bai, Tukaram, and in the present time, Sri Sant Keshavadas, Santji has followed the tradition of our great saints and devotees of the past and has now brought the story of the Ramayana for 20th century man.