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The Indus Script and the Rg-veda

Since the publication of the concordances of the inscriptions of the Indus seals many people have been working on the solution of the riddle presented by the 5000 years old indus script of the Indus valley. At first sight the task does not appear too difficult, as there are pictograms that can easily be recognized as man, bird, fish, dog or plant or a part of them. A lot of signs are geometric, but this does seem to be an insurmountable obstacle either, since some of them resemble or are identical to the majuscules of the Greek and the Latin alphabet or found in the mudras of Indian dance and in the patterns of symbolic Indian art. The decipherments that were based on these similarities resulted, however, only in the reading of some inscriptions as more or less obscure names, sometimes not even a phonetic value could be given. Nevertheless they are often presented as complete decipherments to the public. On this account, the pretension that the Indus script is deciphered meets with increasing suspicion and is exposed to ridicule even. Many scholars working in this field are nowadays of the opinion that the Indus script is altogether indecipherablem if not a bilingual of considerable size turns up.

The approach to a decipherment presented in this volume make avail of bilingual, too, but its masterkey is the discovering of the symbolic and linguistic connection of the Indus signs with the Rg-Veda. More than 200 inscriptions, among them the longest and those with the most interesting motifs, have been decoded here by setting them word after wordin relation to Rg-Vedic verses. The results that were gained by this method of comparison for the pictographic and phonetic values of the Indus signs are surprising and far beyond the most daring phantasy. They have been summarised now in a complete sign-dictionary containing over 150 further inscriptions. At the same time many problems of the Rg-Veda could be solved and new insights be won, for example in the issue of the age of the Rg-Veda and the origin of the Vedic poets or the nature of the Soma plant.

The History of Hindustan (3 Vols.)

The book is meticulously edited by Dahiya whorendered the original Anglo-Nordic script in modern english without disturbing the original diction and structure and has relied upon the works of Charles Jonston’s the system of Vedanra and on Lawrence Dawson in The Nuttall Encyclopaedia for transliteration and standerdization of spelling of proper names. This book is a must for all Research Centers, Institutes, Universities and Libraries and gives a contemporary account of the Muslim period in India.

Roles and Rituals for Hindu Women

This book aims to fill a notable gap in the literature. Twelve contributors study the role of women in Hindu religion by examining textual studies of the part played by women in a variety of religion rituals, both past and present, by exploring the socio-religious context of their various communites; and by using specialist material to draw on cross-cultural conclusions.

Jainism in Early Medieval Karnataka attempts to explain the prevalence of image worship, tantrism, priesthood and ritualistic formation which characterized Karnataka Jainism in the early medieval period. The book also seeks to examine the social and economic basis of Jaina monasteries in all parts of the Kannada region.

Many text on music dance and drama continued to be written in different parts of India until the 17th century. Between the 12th and the 16th century regional styles emerged. Medieval texts have been discovered in all parts. One amongst these is the Srihastamuktavali belonging to the eastern tradition.

Shrenya Yug: Hindi Translation of Classical Age is authored by R. C. Majumdar, Shivdaan Singh Chauhan.

n the present volume, for the first time, a connected history of the

Chauhans, from their beginnings in Bhrgukachchha in eight century A.D. to

the time of Ala-ud-din Khalji and Hammira in the fourteenth century has

been presented. The author has shown that the Agnikula myth goes back to

the Ramayana and is, in fact, traditional to Aryan Hindus

Mahan Deshon ka Aarthik Vikas is authored by Sridhar pandey

This is the first scholarly book devoted to the study of the term dharma with in the broad scope of Indian cultural and religious history. Most generalizations about Indian culture and religion upon close scrutiny turn out to be inaccurate. An exception undoubtedly is the term dharma. This term and the notions underlying it clearly constitute the most central feature of Indian civilization down the centuries, irrespective of linguistic, sectarian, or regional differences.

Saiva liturgy is performed in a world that oscillates: a world permeated by the presence of Siva, where humans live in a condition of bondage and where the highest aim of the soul is to attain liberation from its fetters. In this account of Indian temple ritual, Richard Davis uses medieval Hindu texts to describe the world as it is envisioned by Saiva siddhanta and the way daily worship reflects that world and acts within it.

The book comprises two parts part I deals with the socio-historical aspects of family of the Vedic Seer Bharadvaja and Part II discusses the significant contribution the family has made to the various fields of Indian culture.

Part I is divided into five chapters each comprising more than one section. The first chapter considers the textual evidences of the Vedic Samhitas the Brahmanas the Upanisads and the Ramayana in regard to the Bharadvajas. the second chapter traces the birth and parentage of Bharadvaja the progenitor and his relation with the gods, seers, kings and other persons.